Confrontation Kelts Continues...

A challenge to make three identical models look different from each other.

Three Rackham Confrontation Kelts.

Here you'll see stages from blocking out the values using underpainting,all the way to the finished product.

This underpainting establishes where the shadows and highlights are; the darkest and lightest values, and middle tones.

I've added some basic color. Browns for leathers, and pink, peach, reddish yellow tones for skin.

My goal here was to experiment in trying to emulate Frank Frazetta's Conan flesh tones.

I've added highlights to the skin. I've made it slightly different for each figure. One is more ruddy, one is more yellow, one more brown. Thin glazes of the lighter colors make them less abrupt, and you can always go back and glaze your original base colors back over any area that got too light or chalky.

I've added middle tones to the leather kilts. I then used washes to darken down some areas. Then I added highlights.

Here I've done the same thing as above with the leather sleeve, belt, and boot wraps.

Using yellows and purples for the bronzes. Celts, after all, lived mostly in the Bronze Age. Purples are a great way to shade and tone down yellows.

I've mixed a grey with a greenish/bluish tint for the sword blades. Painted the bones, and started the hair.

Decided to add a white highlight to the sword blades. You can see the subtle difference from the above pic. I also added some highlights to the hair.

Final highlights to the hair. Almost forgot to highlight the leather wraps on the sword hilts.
Woad designs on the skin to finish them off, and final pictures taken using a light box.

Filled in the reservoir on the right hand base with Secret Weapon Miniatures Realistic Water.

Most of the paints used were the Reaper Miniatures Master Series Clear Paints, Secret Weapon Miniatures Acrylic Weathering Paints, Vallejo Washes, and Privateer Press 3 Acrylics.

The resin bases were provided by the customer.